After two successful festivals in 2012 (curated by Charlotte Vincent) and 2014 (curated by Wendy Houstoun), Juncture, our festival of contemporary performance and film, is back in October 2016. Yorkshire Dance is delighted to announce that this year’s Juncture will be curated by artist Gillie Kleiman.
Gillie is an artist. From her practice of dance and choreography emerge artworks that manifest as performances, texts, and events, presented in contexts associated with dance, theatre, live art and experimental performance. She is currently a doctoral researcher at University of Roehampton and an associate artist at Dance4. She received danceWEB scholarships in 2008 and 2013, was an Artsadmin’s Artists’ Bursary holder in 2013/4 and took part in Sadler’s Wells Summer University (2011-14).
Juncture is an initiative designed to bring new work, professional development, critical debate and innovative performance practice to Yorkshire.
Gillie explains her artistic intent for Juncture 2016 like this: “The community dance movement, folk dance, YouTube dance classes and Strictly all tell us the same thing: everybody dances. Departing from here, this edition of Juncture collects together artworks where the role of the professional dancer is given to someone else, bringing artists, participants and their shared work into conversation about what happens when the dancing is handed over.”
Gillie is currently selecting works made with non-professional performers, to be staged in a range of venues around Leeds over a long weekend from 27 – 30 October. The programme will be announced later this spring but artists confirmed already include theatre company Quarantine, choreographer and dancer Lucy Suggate and filmmaker Sara Lindström from Sweden, who will be commissioned to make a new film featuring people from Leeds.
Wieke Eringa, CEO & Artistic Director of Yorkshire Dance says, “It is hugely exciting to shine the spotlight on contemporary performance which is made with non-professionals and work in which asks something different from an audience.
“This work challenges both our traditional understanding of what dance can be and what it means to perform whilst exploding our perception of ‘community dance’. There is humour, humanity and plenty of physicality in the way the programme is shaping up with many of the works highlighting the very personal and intimate act of what it means to dance for each of us, therefore a true celebration of dance.”